The techno movement, as a club scene, started in warehouses. That's how the abbreviation house got its way into music culture. Soon after that came techno. As if from psychedelic feelings a futuristic statement was born. Techno then was apparently very different from what is considered to be now. If you are old enough to see the beginning of electronic music history, you know that it is different and far more complex.
Since the process of making music in my case is similar to how pioneers recorded (hardware synthesizers recorded on some device, in my case, it is a two-track software program, without further coloring & mastering), with a lot of influence from jazz, funk, modern classical and film music, not from electronic music, I tend to put a lot of feelings, more specific content, rather than focusing on automatisation - more breaks + more melody.
"It's all techno" and "What is techno after all?". Why so many types of techno exist? Word "techno" no longer serves as a description of strange sounds, structured rhythms, and futuristic landscapes combined with characteristic 4 on the floor beat. The slight differences between genres of this specific electronic music tell us only how very different this music is, and electronic music in general. It is understood often by the context of the party or philosophy of a club, by the personality of the crowd. "This club gives me this feeling, I like it, therefore I like this music too". Listeners often categorize it by the aesthetics of the event and place, not the music itself. This is all because electronic music is far too complex, it is too big, for everybody to understand it. If you open a catalog in a music store labeled eg. ambient you will find a large number of different styles and genres within each genre - a space within.
"Genre, we might say, is a set of conventional and highly organized constraints on the production and interpretation of meaning"
John Frow, Genre, 2005.
Every day some musician drifts from this non-abstract quality of certain electronic musical genre, inspired by modern social relations and even typical consumer's decisions. This is why, in my opinion, sticking genre labels to electronic music are only a tool for marketing purpose, which can help the audience to expect a certain type of party, of overall aesthetic experience, music comes with the package. It might bring large expectations from the side of the audience as well. Like word - minimal. It comes from minimalism and it can mean very different things if we speak about ambient or techno music, very different expectations.
Can techno music get the more proper context? Mean something again. Or is it only a color?
I got sick, I am legally staying at home for another week. Since my fever is low now, I returned to cooking hot patches and composing bits and pieces.
Knowing till when the sick-leave is, I made some arrangements. This is the best workflow - you count days till sick leave is over, then plan maximum a piece a day, per every 3-4 days, then a 1-2 day break to reset. After few days, you just wake up, peel a sound of a raw sawtooth wave, PCM and with fresh LFO & filter combination, with such a ready sound-palette - you just go for it. Nothing to add, nothing to take away. Without preparations, pure improvisation, to see, where the sounds you just created, will and are capable to take you.
Electronic music can be played from records or played live. You can also do both things at once - while improvising. That's what we're all about last Saturday - synthesizer sets, cut and mixed with perfectly selected vinyl records. This time as Improwizards, the magic was done by Gray Pantone (ESP/DE), DJ_Rola_Selektora (PL) and me -Klar Kinelis.
It was f@c&i#g awesome, that's all I can say. Friends, love and good techno. In the movie I attached, Grey Pantone and me play hardware only set.